PDF Ebook Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks

PDF Ebook Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks

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Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks

Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks


Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks


PDF Ebook Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks

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Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks

Review

“If Eats, Shoots & Leaves whetted your appetite on the subject of punctuation, then you have a treat in store. Shady Characters is an authoritative, witty, and fascinating tour of the history and rationale behind such lesser known marks as the ampersand, manicule, the pilcrow, and the interrobang. Keith Houston also explains the octothorpe―otherwise known as the hashtag―and and my final comment on his book is #awesome.” - Ben Yagoda, author of How to Not Write Bad“Make no mistake: this is a book of secrets. With zeal and rigor, Keith Houston cracks open the &, the #, the †and more―all the little matryoshka dolls of meaning that make writing work. Inside, we meet novelists, publishers, scholars and scribes; we range from ancient Greeks to hashtagged tweets; and we see the weird and wonderful foundations of the most successful technology of all time.” - Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore“Funny, surprising, and, of course, geeky.” - Michael D. Schaffer and John Timpane, Philadelphia Inquirer“Might make you look at books… in an entirely new way.” - Andrew Robinson, Nature“Houston…is a tireless researcher and an amiable teacher.” - Jan Gardner, Boston Globe“A pleasurable contribution to type history, particularly for readers who haven’t considered the ampersand in any detail.” - Carl W. Scarbrough, New Criterion“Fascinating.” - Rob Kyff, The Courant

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About the Author

Keith Houston is the author of Shady Characters and the founder of shadycharacters.co.uk. He lives in London.

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Product details

Paperback: 352 pages

Publisher: W. W. Norton & Company; 1 edition (October 20, 2014)

Language: English

ISBN-10: 9780393349726

ISBN-13: 978-0393349726

ASIN: 0393349721

Product Dimensions:

5.5 x 1 x 8.3 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

73 customer reviews

Amazon Best Sellers Rank:

#320,262 in Books (See Top 100 in Books)

Not that long ago, I was reading an edition of a Shakespeare play that retained the original formatting. I stared at the punctuation and thought how very modern it was, and just as I was reminded that I've often wondered where we get these marks we use every day, along came Keith Houston with this ray of sunshine called Shady Characters. I ordered it instantly and had no idea what to expect. Fortunately, it is hands down informative, earnest, witty, well-produced and so very reassuringly human in this digital age.Houston has selected the pilcrow (that backward P for paragraph), "commercial at" (@), octothorpe (pound or hash sign), ampersand, asterisk, dagger, hyphen, manicule (pointing hand), quotation marks, the interrobang (question mark overlaid with an exclamation mark) and marks to indicate irony and sarcasm. The earliest symbols show up with the Greeks and Romans; turning points include the rise of Christianity, the Renaissance and the invention of the printing press, and, more recently, the typewriter. Computers and the internet are respectful latecomers to the party.Houston is a detective who digs for hard evidence. Typographical legends persist and he insists on finding the truth. Assumptions are dashed. His end notes and bibliography reveal that he shifted through a lot of dry, not to mention dusty, texts in search of his answers and he has done a terrific job of articulating the information. He sustains a vibrant energy to the last page. The hardcover book is attractively produced with the symbols rendered in red ink.This is Houston's first book. On the strength of it, I'll sign up for his next, whatever it is.

The nonstandard characters used in the book render as microscopic; I can't find a fix for this, and it happens both on the Kindle Paperwhite and the Kindle Android app. The parts of the book that I can read are interesting, but I'm missing a lot with the rendering deficiency. Frankly I'm a bit shocked that a publisher would let this go to market in this condition. Perhaps the paper version is more legible.

Most of us, when reading and writing, use and mentally process a multitude of typographical symbols without thinking about them, even though we probably do not know the names for many of those marks nor how they came about. That's the arcane and overlooked, even "shady", world that Keith Houston explores in surprisingly lively and engaging fashion in SHADY CHARACTERS.The mark "@" is ubiquitous, at least on the Internet, and we all use and understand it. But where did it come from? As Houston tells us, it was the brainchild of Ray Tomlinson, a twenty-nine-year-old computer engineer who in 1971 was working on the development of the ARPANET. On his own initiative Tomlinson came up with a way to direct messages to the mailbox of a specific user on a given mainframe computer, employing the then-underutilized symbol "@" on the keyboard of his ASR-33 teletype. "Half-fearing the wrath of his superiors were they to discover his pet project, Tomlinson initially kept quiet about his invention. [He told a co-worker,] 'Don't tell anyone! This isn't what we're supposed to be working on.' His concern was misplaced: e-mail became the fledgling network's first 'killer app' * * *. [B]y 1973, only two years after the first e-mail traveled from one side of Tomlinson's office to the other, it accounted for three-quarters of all traffic on the ARPANET."Another ubiquitous symbol is "#". Most folks nowadays would call it a "hash tag" or a "pound sign". Its formal name, however, is an "octothorpe", which was bestowed on it by Bell Labs in the development of the Touch-Tone keypad, although the symbol itself can be traced back to medieval times in connection with usages dating back to ancient Rome.In several chapters Houston ventures into the related realm of punctuation, in particular as regards the hyphen, the dash, and quotation marks. Throughout the book the reader is exposed to vignettes of history, smatterings of grammar, and precís of technological developments -- all invariably relevant and interesting. The book also unearths various proposed symbols that failed to catch on, including several designed to signify irony (all of which shared an inherent shortcoming: "if the quality of irony in a statement is such that it must be telegraphed to the reader, is it still ironic?").SHADY CHARACTERS is extremely well written. The subject is rather esoteric, even recondite, and in the hands of most authors the book would undoubtedly be on the dry and pedantic side. But SHADY CHARACTERS is a delight to read, which is quite an accomplishment. Some of that pleasure is also due to the intelligent and intricate, yet carefully executed, typesetting. Among other things, the book uses a reddish hue for printing the various symbols being discussed as well as for miscellaneous ornamentation. (Aesthetically pleasing as the practice is, my faltering eyesight was not always able to discern the small reddish asterisks used as footnote markers.) Augmenting and enhancing the discussion are numerous illustrations. Given the relative complexities of the typography and typesetting, coupled with the haphazard copyediting that often prevails today, I would not have been surprised to encounter a host of typographical errors, but I did not find any. Kudos to W.W. Norton! This book is a shining example that publishers still can turn out error-free products if they -- and the authors -- care enough. (On the other hand, I suspect that the book bumps up against the limitations of Kindle.)There is one small writing misstep, however: In the course of discussing how the asterisk was once used by the baseball establishment to set apart and mildly denigrate Roger Maris's accomplishment of hitting 61 home runs in a 162-game season (vis-á-vis the sacred 60-home-run mark of the Babe in a 154-game-season), Houston writes that late in the 1961 season Mickey Mantle had to sit out due to injury, "leaving Maris to score a record-breaking 61st run". The proper American baseball terminology, of course, would have been "to hit a record-breaking 61st home run". But then, the author lives in Scotland.

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Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks PDF

Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks PDF

Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks PDF
Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks PDF

Ebook The Essence of Shinto: Japan's Spiritual Heart

Ebook The Essence of Shinto: Japan's Spiritual Heart

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The Essence of Shinto: Japan's Spiritual Heart

The Essence of Shinto: Japan's Spiritual Heart


The Essence of Shinto: Japan's Spiritual Heart


Ebook The Essence of Shinto: Japan's Spiritual Heart

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The Essence of Shinto: Japan's Spiritual Heart

Review

"Renowned Shinto master Motohisa Yamakage takes us to the core of Japan’s most ancient religion." —Clear"Outstanding introduction, …thoughtful readers can hardly do better than this intelligent insider’s guide. Highly recommended." —Library Journal"…will function as an introduction to ideal Shinto practice…"—Choice

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About the Author

MOTOHISA YAMAKAGE was born in 1925 and brought up in an old Shintoist family. At the age of eighteen he was initiated into the mysteries of Shinto, and in 1956 became the 79th Grand Master of Yamakage Shinto. Grand Master Yamakage has played a leading role in introducing Shinto to people around the world. Many of his essays, translated into German, French, and English, have been published in leading European magazines. In 2005, Motohisa Yamakage retired and was succeeded by his son, Hitoyoshi Yamakage.

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Product details

Hardcover: 232 pages

Publisher: Kodansha International; 1 edition (September 7, 2012)

Language: English

ISBN-10: 1568364377

ISBN-13: 978-1568364377

Product Dimensions:

5.5 x 0.8 x 7.7 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#137,976 in Books (See Top 100 in Books)

This book is very appropriately titled. I have recently embarked upon a little personal journey to become at least passably literate in the basics of as many of the world religions as I can, and therefore have sought out several books that describe the foundational principles of each. In my quest to understand Shintoism I chose this book first, and then read several others. I found this to be the clearest and most easily understandable to the Western reader. I trust the credentials of the author as giving him the tools with which to write such a work for an international audience as well. I found several very valuable insights from the belief system itself as well. Highly recommend.

I chose this book as part of a research effort to understand how the Toyota Production System (TPS) was influenced by societal aspects found in Japan. One thing that is "uniquely Japanese" is Shintoism, and so a working hypothesis was that it provided unconscious bias ("intuition") in how this manufacturing system was created and refined. This book provides a wealth of tantalizing clues useful in my study, and hope that there is enough commentary here to be useful to others seeking to satisfy curiosity or other forms of knowledge/enlightenment.Pro:+ This book, to the novice that I am, appears complete enough to be called "The Essence of Shinto"+ Complete, yet relative short and to the point+ Corrects the view that Shinto is a religion, rather it is better described as a value system that reveres "the Great Nature"+ Well written and easy to understand... with a better translation into English than other Japanese texts I have read+ Contains some interesting statements that might explain motivations behind "taking a long view" in cellular manufacturing: cell shape, 5s systems, kaizen, hansei, and "Ohno Circle" as well as why despite strong beliefs in standardization why separate factories often do not share these standards+ Also helped me explain why additional TPS-like systems are not emerging from Japan... one important element, Shintoism, is in rapid decline, making the philosopher approach less and less likely as time moves forward+ Makes some links to Buddhism, Taoism, and Confucianism which help one understand what Shintoism is, and how it is changingCon:- There is a lot of unique Japanese jargon which make it harder to follow at times, which may be unavoidable in this subject matter- The author is somewhat enamored with the subject matter, making him perhaps less objective, especially when making comparisons to Western religionsNeutral:> Although perhaps out of scope, some additional detail on Buddhism, Taoism, and Confucianism influences on shintoism would have been warmly welcomedBottom line: I would recommend this to any novice that wants to explore Shinto and for any others seeking deeper understanding of TPS.

Arrived on time in excellent condition.I enjoyed reading this book. Has some very good information and history on Shinto. It is explained well and is easy to understand.Good starting point, if you want to understand Shinto and gives some excellent insight into the Japanese way of thinking.Very well written and information.

Great book , well written I took it out from the library and had to have a copy for myself. Very informative- think about what nature is both Japanese idea and how it is applicable today- reverence.

This book is full of knowledge! It greatly improved my understanding of Shinto and has sparked a great interest for it.

Excellent Shinto book 😜😜😜

Love it! Perfect for my needs and a great read.

This is wonderful short book on Shinto, which well represents the very cultural soul of Japan, even in these horrid "modern" times in which we live, and which must be understood so as to enable one to grasp some notion, even if a limited one, of the same.Written by the 75th successor of family lineage within Shinto and providing a personal expression of that one's understanding and thoughts, for which this one is greatful and feels honored to have been allowed to hear/read the same, the perspective is as if one is receiveing guidance from one's beloved uncle or grandfather.This book is Shinto.This book does not teach one the ritual practices of Shinto, which must be lived to be so learned, however, this one speaks to the spirit and impotance of Shinto.namaste

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