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From the Inside Flap

Originally published in 1994, ZERO TO THREE's Diagnostic Classification of Mental Health and Developmental Disorders of Infancy and Early Childhood (DC:03) was the first developmentally based system for diagnosing mental health and developmental disorders of infants and toddlers (i.e., 0 to 3). The revised DC:03, published in 2005 (DC:03R) drew on empirical research and clinical practice that had occurred worldwide since the 1994 publication and extended the depth and criteria of the original DC:03. DC:05 captures new findings relevant to diagnosis in young children and addresses unresolved issues in the field since DC:03R was published in 2005. DC:05 is designed to help mental health and other professionals: recognize mental health and developmental challenges in infants and young children, through 5 years old; understand that relationships and psychosocial stressors contribute to mental health and developmental disorders and incorporate contextual factors into the diagnostic process; use diagnostic criteria effectively for classification, case formulation, and intervention; and facilitate research on mental health disorders in infants and young children. DC:05 enhances the professional's ability to prevent, diagnose, and treat mental health problems in the earliest years by identifying and describing disorders not addressed in other classification systems and by pointing the way to effective intervention approaches. Individuals across disciplinesmental health clinicians, counselors, physicians, nurses, early interventionists, social workers, and researcherswill find DC:05 to be an essential guide to evaluation and treatment planning with infants, young children, and their families in a wide range of settings.

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Product details

Paperback: 212 pages

Publisher: Zero to Three the Natl Center (December 8, 2016)

Language: English

ISBN-10: 193855857X

ISBN-13: 978-1938558573

Product Dimensions:

7 x 0.6 x 9.9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#44,861 in Books (See Top 100 in Books)

Working with very young children I am happy to find new resources.

Finally, expanded criteria for early childhood.

It is complete, but hard to say you just love a book on Diagnostic for work

Great book and love the outcomes attached.

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Download The Ukimwi Road: From Kenya to Zimbabwe, by Dervla Murphy

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From Publishers Weekly

A brave and thoughtful Irishwoman, 60-ish Murphy (Transylvania and Beyond) specializes in treks through remote regions. Here she recounts a 3000-mile, four-month bicycle ride through southern Africa, at first seeking a ``carefree ramble'' but soon learning that most of her planned route included the region's ukimwi (AIDS) belt. Thus, Murphy's travelogue, which mixes her reflections on colonial legacies with well-etched encounters with border bureaucrats and generous locals, is shadowed by the specter of loss: a young prostitute, her siblings' sole support after their parents died of AIDS, struggles to make her clients use condoms; an expat doctor agonizes over the dilemmas of notifying the HIV-positive. Given her encounters with troubled Africans as well as her views of ineffective Western aid workers, Murphy concludes-a bit simplistically-that it's time for the West to withdraw, to leave Africans ``to sort out their own future.'' Despite that, this book-first published in the U.K. in 1993-remains resonant. Copyright 1995 Cahners Business Information, Inc.

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Product details

Hardcover: 290 pages

Publisher: Overlook Books; First Edition edition (July 1, 1995)

Language: English

ISBN-10: 0879515562

ISBN-13: 978-0879515560

Product Dimensions:

6.2 x 1 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#3,700,368 in Books (See Top 100 in Books)

Amazing read, especially given that she was 60 and went alone on a bicycle.

Ms. Dervla Murphy, an intrepid and brave woman, takes us on a bicycle journey in Southeastern Africa (Kenya to Uganda to Tanzania to Malawi to Zambia and finally Zimbabwe). We experience these countries via her bicycle and her opinionated eyes.I did some cycling in North America when I was much younger; Ms. Murphy is doing this at the age of sixty on roads that are far tougher than anything here in North America – many of her roads were unpaved. She definitely has an iron constitution!The vitality of this book is the many different encounters the author has with groups of people – many of them very poor. Her trajectory, which she did in the early ‘90’s, takes her through AIDS ravaged areas. She did not know at the beginning of her journey that AIDS was to dominate every conversation she had. There are remarkable discussions which ensue revolving around the epidemic, the role of women, the use (or non-use) of condoms, polygamy, and Africa’s growing role in the world. Some of the people she meets have had their entire families lost (or in the process of) to the AIDS epidemic.Because she is cycling and a woman, she is anomaly. The cycling puts her on an eye-level contact with everyone.What is very reassuring is the needed and unsolicited assistance she gets, now and then, from the most destitute of people – male and female.It is sad to think that since this book was written over twenty years ago, most of the people she met have likely died.This is a very worthwhile book for the diversity of encounters and the energy of Ms. Murphy. She must be high octane!Page 235-36 (my book)Outside, the schoolboys came crowding around the window above the sink... to observe me sitting on the draining board – the only space available.“They are amazed”, said the Chief, “because we talk together socially. Our tradition condemns this mixed-sex talking, we say it leads only to misbehaviour. Men and women have nothing in common to discuss, they live in different worlds. But we know you have another tradition.”

Since 1964 Irish writer Murphy has been traveling the world by foot and bicycle and writing about her experiences. An outspoken loner, drawn to the more remote parts of the globe, her beautiful but rugged experiences fascinate and educate the armchair traveler - without inspiring similar ambitions.As a 60th birthday present to herself, Murphy undertakes a 3,000 mile journey through Eastern and Southern Africa on her Dawes Ascent mountain-bike, "the cyclist's equivalent of a Rolls-Royce," named Lear. The trip was a "self-described unwinding therapy.....a carefree ramble through some of the least hot areas of sub-Saharan Africa."But "carefree" it is not, though nothing - not heat, torrential rains, hunger, illness, hostility or impassable roads - can stop her.Murphy is greeted in Nairobi by drought and a mothers' hunger strike which rapidly degenerates into a riot when paramilitary troops arrive to disperse the women. Leaving the city as quickly as she can, Murphy contemplates the contrast between Western luxuries and construction projects alongside the shanty towns and hungry children.From her first stop in a dusty village for a Tusker beer, AIDS predominates and a pattern is set which endures thoughout the lands and cultures she passes through during the coming months. By day she enjoys the solitude and scenery of rural Africa; by night she is embroiled in local discussions of politics and Western incursions and AIDS, often dodging individual pleas for help in getting to the land of opportunity - the West.Ukimwi is Swahili for AIDS. In Africa, wherever she goes, it surrounds her. Some blame Western conspiracies and medical experiments; missionaries preach behavioral changes and deny condom distribution; men say they cannot survive without a variety of female partners; wives say their husbands refuse condoms; prositutes say they would have no business if they insisted on condom use.Everywhere Murphy meets widows, orphans and more orphans.She at first resists the pull of AIDS. For her this is a pleasure journey and she can do nothing to slow the epidemic. But it has become part of the fabric of culture, threatening traditional family life, taking the most productive and leaving behind the old and the young to fend for themselves.In addition to the scourge of AIDS, Murphy finds much of Africa suffering from economic collapse, spurred in large part by misguided Western "development projects" that destroyed the local agrarian economy, often displacing the people and departing, leaving behind devastation and tribal strife.She meets hospitality and hostility, and takes what comes; be it a bedbug, mosquito-infested tourist hotel, or an earthen floor, or a spontaneously offered bed in a local home. She sets out at dawn hardly knowing whether to expect a corrugated wartorn road or spectacular mountain scenery or a beguiling path that ends in a swamp (through which she is guided by a silent tribal elder). She pushes Lear up rutted mountain tracks and hurtles down, marveling at the African cyclists she meets everywhere - man cycling, two children on the cross bar, wife behind holding baby and toddler, and a heavy load balanced over all.With a cast-iron stomach, she eats and drinks whatever is available (which is generally awful), especially enjoys her beer, cycles through bronchitis and is finally felled by malaria. Even that she comes to regard as fitting - ending her journey in Zimbabwe where "Blacks had been subjugated as nowhere else in British Africa." Murphy concludes that Westerners ought to get out of Africa once and for all - that Western systems have not "taken" and have only undermined traditional culture.Whether you come to agree with her or not, her harrowing, thrilling, eye-opening and heartbreaking journey will stay with you when other travels are long forgotten.

This book does many things well. At times its a fascinating series of anthropological interviews. Then it's a sentimental travel guide: marvelling at landscapes. Or it's double barreled feminist advocacy. And it has good historical backdrops and provocative philosophical musings on development and politics in Africa.Dervla takes no prisoners in humorously highlighting flaws in herself, elitists, traditionalists, expat development bandits, and ambivalent White Africans. Having conducted research and travelled in Africa over many years, I found her questions, naive mistakes, and ability to adapt to situations amazing. I recalled learning to love nshima in Zambia in 1984, as there was seldom anything else to eat. I recalled being hassled by immigration officials for travelling with "too little foreign exchange to support myself." And I relived the horror of having a corrupt border patrol officer pocket my passport and walk away.Dervla had the fortitude and charm to come out on top every time: perhaps taking advantage of her privileged/vulnerable status as a woman tourist from Europe. I had to use different tactics as a long-term resident who's an African American man. I bought this book on a lark for $3 at the World Bank Bookstore. I'll be back for more copies. It's a shame that it's out of print.

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Ebook Download The Crown of Embers: Fire and Thorns, Book 2

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Listening Length: 11 hours and 37 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: September 18, 2012

Language: English, English

ASIN: B009CMO7AG

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A fitting sequel to A Girl of Fire and Thorns I don't think it did better then its predecessor but it did on par. I think my biggest thing with this series for me is going to be that I am personally biased when it comes to the plot of the series and how it revolves around GOD. I know it is not fair to the series. I am highly intrigued with the story and everything; I read it very fast and it holds my attention.The Plot in this one was faster pace and the stakes seem to have been raised. However as with the last book I think the third act of these books are heavily rushed. All of a sudden your expecting this big blow out or payoff to happen and nothing ever really comes of it. For example the ending of this book was so rushed that I never felt any real impact from the outcome.Characters are another pro/con for me. Some characters are likeable and fleshed out and other characters are just blah. Elisa to me is the only one who is completely fleshed out. Obviously there is a reason for that, but I want to care more about the other characters. In book 2 we learn a little more about Mara and Hector but still nothing groundbreaking. Ximena is still as mysterious as ever. I want to see more character growth in the last book from other characters besides Elisa.Lastly I want to talk about world building. Now world building is one of my favorite aspects in books. I love the feeling of getting completely immersed in new worlds because it is a total escape from reality. I want a little more from the world. I feel like all we've seen is desert and more desert.I am ready to see how this all wraps up in book 3.

I enjoyed the first book in this series, The Girl of Fire and Thorns, and of course, I can't help but compare the sequel, The Crown of Embers, to it. It lacks a bit by comparison, and I think the biggest factor was the feeling of repetitiveness in CoE. For the first 50% of the book, Elisa escapes from one assassination attempt to another. I did enjoy the growth she's shown between the two books, and the strong, confident Queen we see in CoE is barely recognizable from the timid, girl in Girl of Fire and Thorns.And I have to mention Hector... Hector, whom I adored in Girl, becomes whiny and manipulative in CoE. I think this personality switch was designed to show the depth of his feelings for Elisa, but it just didn't work for me. I hope to see a return of Hector's self-confidence in the final book of the trilogy.I have not lost my enthusiasm for the series, despite some minor disappoints with this book, and I can't wait to read The Bitter Kingdom.

I started reading The Crown of Embers right after I read The Girl of Fire and Thorns. I usually try to avoid reading books in a series back to back because I can become bored with the story or annoyed by the characters. That so wasn’t the case with The Crown of Embers. I was on a high after reading The Girl of Fire and Thorns and that high continued to roll all the way through The Crown of Embers.I felt like this book was much more action packed than the previous book. We already know the world and we have met most of the players in the first book so there wasn’t huge amount of setting discovery in The Crown of Embers. This allowed Rae to start this book with a punch and deliver a knockout (I have no idea where the boxing metaphor came from but I decided to run with it).The Girl of Fire and Thorns was very much about Elisa and her journey to discover her inner strength. In The Crown of Embers we get to see more of what’s really happening in her world. Elisa now has to deal with the politics of ruling her country, and has to learn how to shoulder the responsibility of being in control of so many lives. She also learns how to overcome heartbreak and start to love again. Which brings me to Hector.Hector might be one of my favorite male leads in a long time. He is so strong and good, and while he doesn’t say a lot, when he does talk it speaks volumes. His loyalty and love for Elisa is so pure and sweet. I love reading their scenes together and getting to experience their interactions. I’m also super excited he lost the mustache….though I fear it might make a reappearance.So needless to say I loved The Crown of Embers just as much as The Girl of Fire and Thorns. You know, I saw this series around but it was never one that people were like “Omg, You have to read this!” And that makes me sad. So far this series is perfection and if you like Fantasy even a little bit, it’s a must read!You can find more of my reviews at Endless-Reads.Net!

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Review

“I loved it.” (J.K. Rowling)“Fast, true and incredibly rewarding…A remarkable achievement.” (USA Today)“Wildly romantic [and] surprisingly suspenseful....[B]ringing those dark figures back to life, making them men again, and while she’s at it, us[ing] her passionate companion piece to The Iliad as a subtle swipe at today’s ongoing debate over gay marriage. Talk about updating the classics.” (Time magazine)“One of the best novelistic adaptations of Homer in recent memory, and it offers strikingly well-rounded and compassionate portrait of Achilles....[Miller] injects a newfound sense of suspense into a story with an ending that has already been determined.” (Wall Street Journal)“Powerful, inventive, passionate, and beautifully written. ” (Boston Globe)“Beautifully done. . ..In prose as clean and spare as the driving poetry of Homer, Miller captures the intensity and devotion of adolescent friendship and lets us believe in these long-dead boys...deepening and enriching a tale that has been told for 3,000 years.” (Washington Post)“One of 2012’s most exciting debuts...seductive, hugely entertaining....[I]magining the intimate friendship between Achilles and the devoted Patroclus...Miller conjures...soulmates. The resulting novel is cinematic—one might say epic—in scope, but refreshingly, compellingly human in detail.” (Vogue)“You don’t need to be familiar with Homer’s The Iliad (or Brad Pitt’s Troy, for that matter) to find Madeline Miller’s The Song of Achilles spellbinding....her explorations of ego, grief, and love’s many permutations are both familiar and new....[A] timeless love story.” (O magazine)“Madeline Miller’s brilliant first novel...is a story of great, passionate love between Achilles and Patroclus....[R]ewriting the Western world’s first and greatest war novel is an awesome task to undertake. That she did it with such grace, style and suspense is astonishing.” (Dallas Morning News)“The Song of Achilles...should be read and enjoyed for itself, but if Madeline Miller’s novel sends the reader back to Homer and his successors, she is to be thanked for that as well.” (Washington Independent Review of Books)

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From the Back Cover

Achilles, "the best of all the Greeks," son of the cruel sea goddess Thetis and the legendary king Peleus, is strong, swift, and beautiful— irresistible to all who meet him. Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath. They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.

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Product details

Paperback: 416 pages

Publisher: Ecco; 37696th edition (August 28, 2012)

Language: English

ISBN-10: 0062060627

ISBN-13: 978-0062060624

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

2,210 customer reviews

Amazon Best Sellers Rank:

#1,433 in Books (See Top 100 in Books)

Starting this book I was at a strong 3.5 stars, then it bumped up to 4, and then the end had me in such a mess that it suddenly became 5. A miracle this is.The story and plot revolves around the Trojan war and the moments before and after where Patroclus meets Achilles and laters waits for him. The flow is actually quite gentle, even during the war fighting. I had expected more action and heart racing moments, and that is maybe why I did not rush into a higher rating.However, even though I had a feeling of who and the knowledge of death, I was still struck hard. It did not come on suddenly, no. It crept slowly, clung to my heart and then watered in my eyes. It was the reaction to death that got me.The end is beautiful and sweet. It brings together the readers and the characters who are in pain and comforts us and makes us allies.The writing is also wonderful. It's poetic and lovely at times. Of course if you do not like things being compared to unrelated things, such as the plumpness of lips to that of a bee, then you will disagree with me here. Regardless, this is the writing style I most adore in moderation and thus have loved this book.

I have never read the Iliad, and I thought it might be fun to delve into a modern treatment of the story. This book had so many great reviews that it seemed worth buying. However, I stopped reading the novel when I was about 30% of the way through. By this time it became clear that the author was going to make the romance between Patroclus and Achilles the centerpiece of the book. For instance as teens, Achilles and Patroclus spend two or three years in the wilderness with a centaur who is supposed to be instructing Achilles in the art of war... except he doesn't. Patroclus is not supposed to be in the wilderness with them, but he tags along anyway. This means that Patroclus himself has the opportunity to learn the art of war from this great centaur who taught Heracles how to fight, but Patroclus doesn't either. It appears that the only reason these two were with centaur in the wilderness for a couple years was to allow the author to crate a bucolic love nest for the boys. And for unexplained reasons, Achilles' mother, Thetis, seems to have always hated Patroclus. Again from a Romance-novel point-of-view, her intense animosity seems to exist only to create a "forbidden love" situation between Patroclus and Achilles. It all seemed so contrived.

For better or for worse, the Homeric epics are a bedrock part of the Western literary canon. Madeline Miller's The Song of Achilles looks at The Iliad from a fresh perspective: that of Patroclus, Achilles' closest companion. Since this is a retelling of a classic story (a genre to which I am predisposed), we already know how it's going to play out: Agamemnon will steal a slave girl claimed by Achilles, leading to the hero refusing to fight for the Greeks, leading to Patroclus donning his armor and being slain by Hector of Troy, leading to Achilles killing Hector and dragging him around the walls of his city, only to be killed himself by an arrow from Hector's brother Paris. What's different is what comes before and between.As most of us know, it was not uncommon in Ancient Greek life for older men to have sexual relationships with younger men. Homosexual relationships between men of the same age, however, were rarer. When I was taught The Iliad, even in college, the bond between Patroclus and Achilles was usually described as just a deep friendship (lip service was paid to the idea they could have been lovers but it was never taught as being the more persuasive interpretation). Miller's novel, however, roots itself in the alternate interpretation: she presents us with Achilles, the most gifted warrior in Greece, as a man in a loving and stable lifelong relationship with Patroclus.It would actually be more accurate to say she presents us with Patroclus as the romantic partner of Achilles: the story belongs to Patroclus, it is told through his eyes. Patroclus as created by Miller is a gentle soul, a disappointment to his aggressive father, who is banished when he kills another child purely by accident. He is sent to Peleus, father of Achilles, to be fostered, and is chosen by Achilles of all the young men at court to be his companion. Their relationship only gradually becomes romantic, much to the disgust of Achilles' river goddess mother, Thetis. She conspires more than once to break the couple apart, but their love is too strong and they remain together until the end. Miller explains Achilles' rage over the theft of his slave girl as being not about being deprived of a lover, but as being disrespected as the greatest soldier in the army by having his rightfully-claimed prize taken away.I found it a much more enjoyable take on the story than the original. Miller really gets the time to develop Patroclus and Achilles as characters in depicting them from boyhood all the way through adulthood. She paints a very devoted relationship between them: though both briefly experiment with sex with women, they never stray from each other and Achilles refuses to leave Patroclus despite strong maternal pressure to do so. Since Miller's Patroclus isn't a skilled or enthusiastic warrior and instead serves the Greek contingent at Troy as a healer, most of the battlefield scenes that I find so boring to read are left out entirely. This is a solid read for fans of historical fiction and/or classical retellings.

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